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"After a trip through Ireland what remains above all is the memory of such landscapes. They are heart-breakingly beautiful... and so empty. This is
why we can inhabit them with our own dreams, the ideal human who –
uncorrupted – lives in harmony with the sea and
"The old
man told me what he thought about the advan-
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"Ireland – trips to a fabulous
coast" I wanted to convey the mysticism and transcendence of Irish coastal landscapes, as well as the history and the character of a unique habitat and natural region. To do so, I chose the medium of aesthetic over-accentuation, frequently by capturing extreme light moods. My intention was not to reinforce a cliché, but to produce a sensual abstraction.
In the 19th
century, the Scottish engineer Alexander Nimmo was commissioned with
expanding the harbours in the west of Ireland. In 1820, he built the
pier at Roundstone set against the magnificent backdrop of the
Connemara Mountains. In the secluded rocky inlets in the far west, the sea performs its mystery play of elemental forces.
to land.
The sea mark at the harbour entrance is called "Lot's Wife" in allusion to the biblical mother who turned into a pillar of salt. Shooting technique The shots were taken with an
Alpha 12 camera in the classic landscape photography format 6x9
centimetres. After my many years of excellent experience using
Schneider-Kreuznach lenses I chose the
Personal details Heike Ollertz, one of the first 'mare' photographers, lives in Berlin, where the master scholar of the University of the Arts is head of the photography department of the Lette Foundation following many years in teaching.
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